Max’s puppy does important design work for a museum client. I get the feeling she’s not all that pleased with this version of the design.

Michael was recently asked to contribute to the discussion at The Punch about the merits of the four-long-day workweek.

Not content with having a Cricket touchscreen in the Australian Journeys gallery at the National Museum of Australia, we’ve downsampled, re-encoded and repurposed it for in those of you who prefer the Hypertext Transfer Protocol. Clear your cache, install Flash and get into it.

The 2009 MAPDA Awards were good to Icelab this year, with two of our recent projects—Billy Hughes at War for Old Parliament House and the Crimson Thread of Kinship for the National Museum picking up Highly Commended in their respective categories. Yay!

We moved into our new offices around 6 months ago, but until recently, like a exclusive club, there was no sign on the door.

Nathan and Michael both have works in the Dorkbot exhibition at Canberra Contemporary Art Space in Manuka this November.

Our recent project Billy Hughes at War won Highly Commended for the “McFarlane Prize.

Eight(!) plasmas, four laptops, 400 square metres of stage and a whole lotta Keynote.

Shooting the powers that be for an upcoming video project.

Come visit us at our new office.